The Singing School: An American Tradition

      The Singing School was an institution that was uniquely American. it was
established to serve a dual purpose: the desire to create music and the need for
sociability. Generations were taught to read and sing music by itinerant singing
masters, who developed characteristic methods and materials of instruction, and
distinctive performance practices. Through this institution, many people were
given the opportunity to participate in music, either as a singer, a teacher, or
as a composer. The Singing School foreshadowed the development of church choirsand musical societies.
      
       Early settlers in this country brought with them their native English
music, both sacred and secular. They made use of various Psalters compiled in
Europe. It was not until 1640, however, that the Puritan ministers in America
made their own translation of the psalms. The Bay Psalm Book was the first book
printed in British North America and was widely used. The most distinguishing 


feature of this book was its rhymed and metered English poetry. This allowed a
few tunes, having the same rhythms as the poetry, to be used as melodies for
many psalms. In addition, the text employed the vernacular, and consequently
promoted memorization. The ninth edition of the Bay Psalm Book, published in
1698, was the first edition published with tunes. This edition had printed the
letters F-S-L-M, representing the solmization syllables fa, sol, la, and mi,
under the notes. This indicates that there was a familiarity with and an
interest in music instruction as applied to psalmody.
      

      It was not until the early 18th century, however, that as a direct
result of agitation by ministers for a reformation in congregational singing,
arguments were advanced promoting regular singing and the eventual establishment
of singing schools.